The best movies of 2024 so far

Written by:
February 20, 2024
Updated on July 24, 2024
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The best movies of 2024 so far

Despite predictions that the domestic box office would take a huge hit in 2024 thanks to the Writers Guild of America and Screen Actors Guild strikes that dominated much of the second half of 2023, the movie business seems to be chugging along just fine thus far.

Fourteen films have made more than $100 million each at the domestic box office in 2024, as of Sept. 9. "Inside Out 2" tops the list at nearly $652 million, with "Deadpool & Wolverine" currently holding the runner-up spot with almost $614 million. The latest addition to the club is "Beetlejuice Beetlejuice," which debuted in theaters on Sept. 6 and racked in an impressive $110 million, marking the second biggest September domestic debut of all time.

Plus, some of the year's most anticipated releases (and the money they're sure to bring in), like "Joker: Folie à Deux," "Moana 2," and "The Lord of the Rings: The War of the Rohirrim," are still to come.

While it's certainly satisfying to see that Hollywood is still very much capable of churning out some major blockbusters in this new, post-strike world, these big movies aren't the only offerings worth watching in 2024. There have been a slew of films that have stood out for their themes, storytelling, and cinematography.

Using data from Metacritic, Stacker ranked the top 25 movies of 2024 so far by Metascore, as of Sept. 3. To qualify for the list, the films must have been released in the U.S. in 2024 and have at least seven reviews from critics. Ties were broken by Metacritic's internal weighting system. IMDb user ratings were provided for popular reception context.

From documentaries like "Sugarcane" to international hits like "Tótem" and dark comedies like "Do Not Expect Too Much From the End of the World," read on to find out what's stood out to critics the most this year. And be sure to come back every month as the ranking—and this year in memorable cinema—continues to develop.

1 / 25
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#25. Hit Man

- Director: Richard Linklater
- Metascore: 82
- IMDb user rating: 6.9
- Run time: 1 hour 55 minutes

In this Netflix original, Glen Powell (who co-wrote the screenplay) plays an undercover cop posing as a hit man who falls in love with a woman who has hired him to help kill her husband. The black comedy has garnered tons of praise for feeling like an old-school movie—one of those delightfully fun romps that's also well-acted, sufficiently funded, and not unduly concerned with getting a message across.

2 / 25
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#24. Inshallah a Boy

- Director: Amjad Al Rasheed
- Metascore: 83
- IMDb user rating: 7.2
- Run time: 1 hour 53 minutes

Wrestling with the devastating effects of Jordan's patriarchal inheritance laws, "Inshallah a Boy" is a thriller about a woman who pretends to be pregnant with a son in order to save herself and her young daughter. The film was the first Jordanian project to ever compete at the Cannes Film Festival, and what a stunning debut it was. The New York Times praised the performance of Palestinian actor Mouna Hawa, calling it "commanding," and Variety applauded director Al Rasheed's prowess in casting a social-realist drama as a riveting escape thriller.

3 / 25
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#23. Made in England: The Films of Powell and Pressburger

- Director: David Hinton
- Metascore: 83
- IMDb user rating: 8.0
- Run time: 2 hours 11 minutes

In this essay film, Martin Scorsese guides audiences through the oeuvre of two of the most influential filmmakers of his own career: Michael Powell and Emeric Pressburger. Part chronological documentary, part film analysis, part personal narrative, the movie is a great way to get to know Powell and Pressburger as well as Scorsese himself, and was described by The New York Times as "a personal, vibrant gift."

4 / 25
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#22. Ghostlight

- Directors: Kelly O'Sullivan, Alex Thompson
- Metascore: 83
- IMDb user rating: 7.5
- Run time: 1 hour 55 minutes

A story about the healing power of art, "Ghostlight" follows a grieving construction worker who processes the death of his teenage son through a community theater production of "Romeo and Juliet." Messy, pure, and earnest, the film features an actual family of actors (partners Keith Kupferer and Tara Mallen and their daughter Katherine Mallen Kupferer), making everything feel incredibly real.

5 / 25
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#21. Janet Planet

- Director: Annie Baker
- Metascore: 83
- IMDb user rating: 6.3
- Run time: 1 hour 53 minutes

Set in the early '90s, this drama follows a hippie mother (Julianne Nicholson) and her preteen daughter (Zoe Ziegler) over the course of one slow summer as they spend nearly all of their time together and confront changes in their relationship. The movie is the feature directorial debut of Pulitzer Prize-winning playwright Annie Baker, who also wrote the screenplay.

6 / 25
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#20. Crossing

- Director: Levan Akin
- Metascore: 83
- IMDb user rating: 7.5
- Run time: 1 hour 46 minutes

Following a promise she made to her dying sister, a retired teacher heads to Istanbul in search of her transgender niece. Her path soon crosses with a young man on a quest of his own, and the story of "Crossing" unfolds from there. The setting and cinematography are half the draw here, which, combined with the quiet emotional through line of the film, make "Crossing" one of the year's most worthy watches.

7 / 25
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#19. Evil Does Not Exist

- Director: Ryûsuke Hamaguchi
- Metascore: 83
- IMDb user rating: 7.0
- Run time: 1 hour 46 minutes

The winner of the Grand Jury Prize at the 80th Venice Film Festival, "Evil Does Not Exist" is a Japanese film about the residents of a small village who are pushing back against the development of the forest they live near. Described as "sparsely written" and "unsettling in tone" by NPR, "Evil Does Not Exist" is far from predictable with an ending that leaves audiences with plenty to think about.

8 / 25
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#18. Terrestrial Verses

- Directors: Ali Asgari, Alireza Khatami
- Metascore: 83
- IMDb user rating: 7.4
- Run time: 1 hour 17 minutes

In this Iranian film, directors Ali Asgari and Alireza Khatami follow nine individuals as they face off against different iterations of power in the Middle Eastern country. At times comedic and difficult, the stories examine the way certain codes of behavior (whether dictated by culture or religion) can often be used as a channel for more deeply held prejudices.

9 / 25
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#17. Between the Temples

- Director: Nathan Silver
- Metascore: 83
- IMDb user rating: 6.7
- Run time: 1 hour 51 minutes

Jason Schwartzman stars in this comedy-drama about a widowed cantor whose grade school music teacher seeks his wisdom in prepping for her adult bat mitzvah. Aptly described by The New York Times as a "coming-of-middle-age story," "Between the Temples" offers a unique look at how our toughest moments are often dotted with comedy. The movie's chaotic, improvisational camerawork helps to create a viewing experience "as volatile and hilarious as it is sweet and profound," per The Associated Press.

10 / 25
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#16. Sing Sing

- Director: Greg Kwedar
- Metascore: 84
- IMDb user rating: 8.2
- Run time: 1 hour 45 minutes

A prison drama unlike any you've seen before, "Sing Sing" is about a man who has been imprisoned for a crime he didn't commit but finds purpose in a theater group composed of fellow incarcerated men. Colman Domingo plays the lead role and much of the cast is comprised of formerly incarcerated actors who participated in the Rehabilitation Through the Arts program, a decision that gives the project an authenticity it may not have had otherwise.

11 / 25
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#15. Chicken for Linda!

- Directors: Sébastien Laudenbach, Chiara Malta
- Metascore: 84
- IMDb user rating: 7.1
- Run time: 1 hour 13 minutes

In this animated film, a mother sets out to make amends with her daughter by cooking her favorite meal, despite her lack of culinary knowledge and a strike that's essentially shut down their city. The French project is playful and emotional, exploring themes like grief and memory in ways that will appeal to audiences of all ages.

12 / 25
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#14. Daughters

- Directors: Angela Patton, Natalie Rae
- Metascore: 85
- IMDb user rating: 7.7
- Run time: 1 hour 48 minutes

"Daughters" made its debut at the 2024 Sundance Film Festival in January, where it won awards from audiences and festival insiders alike. This emotional documentary follows four girls preparing for a father-daughter dance with their incarcerated dads. It jumps back and forth between the girls' lives and their fathers' as they go through an intense 10-week parenting course in preparation for the event. The movie provides a fresh look at the way the American prison system affects all of those it touches.

13 / 25
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#13. Close Your Eyes

- Director: Víctor Erice
- Metascore: 85
- IMDb user rating: 7.3
- Run time: 2 hours 49 minutes

"Close Your Eyes" is a pessimistic meditation on memory, identity, and cinema from 84-year-old Spanish director Victor Erice. Told across two timelines, it follows the disappearance of an actor in the middle of a film shoot in the '90s and the present-day reinvestigation of the mystery. Clocking in at almost three hours, its leisurely pace won't be for everyone, but those willing to go along for the ride will be rewarded with a touching, thought-provoking ending.

14 / 25
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#12. I Saw the TV Glow

- Director: Jane Schoenbrun
- Metascore: 86
- IMDb user rating: 5.9
- Run time: 1 hour 40 minutes

Dubbed "weird and transfixing" by NPR, "I Saw the TV Glow" centers on two teenagers who bond over a supernatural TV series only to have their lives go off the rails years after the show's cancellation. Produced by Emma Stone and Dave McCary's company Fruit Tree, the movie stars Justice Smith and Brigette Lundy-Paine and is far more unsettling than the previews may have led viewers to believe.

15 / 25
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#11. Good One

- Director: India Donaldson
- Metascore: 87
- IMDb user rating: 7.2
- Run time: 1 hour 29 minutes

"Good One" follows 17-year-old Sam (Lily Collias), her father, and her father's longtime friend as they embark on a weekend hike in the Catskill Mountains. The journey, which may sound picturesque on the surface, proves to be anything but when the men let past issues bubble to the surface and put Sam in a position that's well beyond her years. Critics rave about almost every aspect of "Good One," from Collias' performance to the cinematography, sound design, and director India Donaldson's absolute refusal to hold audiences' hands through its murky ending.

16 / 25
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#10. Pictures of Ghosts

- Director: Kleber Mendonça Filho
- Metascore: 88
- IMDb user rating: 7.7
- Run time: 1 hour 33 minutes

In this documentary, filmmaker Kleber Mendonça Filho revisits his life in Brazil, recalling its glory days through the prism of the various cinemas he frequented as a child. The New York Times praised the film, which combines both new and archived footage, for the way it inspires a "rumination on life, death, family, movies, and those complicated, invariably haunted places we call home." Meanwhile, IndieWire hailed the documentary's celebratory spirit, noting that Filho is able to give the film "a joyful rhythm, full of hope and wonder."

17 / 25
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#9. About Dry Grasses

- Director: Nuri Bilge Ceylan
- Metascore: 88
- IMDb user rating: 7.8
- Run time: 3 hours 17 minutes

This Turkish-language drama centers on a teacher who finds his future threatened after a female student alleges inappropriate contact. As is the case with many of Nuri Bilge Ceylan's projects, the movie is slow and sparse, with a strong emphasis placed on still photography. The New Yorker called it "nimble, alert, and alive," stressing that it "brims with a bitingly melancholy Chekhovian spirit," something that's sure to appeal to certain moviegoers.

18 / 25
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#8. Green Border

- Director: Agnieszka Holland
- Metascore: 90
- IMDb user rating: 6.4
- Run time: 2 hours 32 minutes

Described by RogerEbert.com as "the best and most important film to be released in the U.S. so far this year," "Green Border" examines the ongoing European refugee crisis. Set on the border of Belarus and Poland, the movie is gorgeously shot in black and white and manages to perfectly walk the line between real and melodramatic. It's a must-watch for any politically minded viewer.

19 / 25
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#7. La Chimera

- Director: Alice Rohrwacher
- Metascore: 91
- IMDb user rating: 7.3
- Run time: 2 hours 10 minutes

Set in the '80s, "La Chimera" centers on a lovelorn archaeologist who unwittingly finds himself as the head of a ragtag gang of grave robbers, stealing artifacts and passing them on to a mysterious buyer. The Guardian called it "uproarious and celebratory" noting that its tone—and the way it teems with life—is one of the best things about it. Meanwhile, Slant loved the way it wrestles with time and its effect on all of our lives.

20 / 25
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#6. Tótem

- Director: Lila Avilés
- Metascore: 91
- IMDb user rating: 7.1
- Run time: 1 hour 35 minutes

The National Board of Review named "Tótem" one of the best international films of the year, which is as winning of an endorsement as one could hope to receive. The Mexican project is about a 7-year-old girl celebrating her father's birthday and struggling to come to terms with the fact that it will likely be his last. Variety called the movie "lifelike and lived-in" and commended filmmaker Lila Avilés' "generous, open-ended" style.

21 / 25
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#5. Ryuichi Sakamoto: Opus

- Director: Neo Sora
- Metascore: 91
- IMDb user rating: 8.1
- Run time: 1 hour 43 minutes

Called "a parting gift from a master musician" by The New York Times, "Ryuichi Sakamoto: Opus" is the pianist's final performance. There are no interviews or introductions in the film, it's simply 103 minutes of the Japanese artist sitting at his piano playing some of his greatest hits. While it may not sound like the most exciting film the year has had to offer, the space it offers for contemplation is unlike anything else the big screen has given us.

22 / 25
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#4. Sugarcane

- Director: Emily Kassie, Julian Brave NoiseCat
- Metascore: 92
- IMDb user rating: 8.0
- Run time: 1 hour 47 minutes

National Geographic documentary "Sugarcane" looks at the abuse and death that transpired in a Canadian Indian residential school system, following survivors and investigators as they learn what went on behind closed doors in one of the more troubling parts of the country's history. While the movie is a difficult watch, it's also a powerful one, relying not on talking-head or gritty reenactment approaches, but rather inviting audiences to sit alongside those most affected by the program. A must-see, "Sugarcane" won the Directing Award for documentaries at this year's Sundance Film Festival.

23 / 25
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#3. Here

- Director: Bas Devos
- Metascore: 92
- IMDb user rating: 6.9
- Run time: 1 hour 24 minutes

Dubbed "a celebration of connection" by The New York Times, Bas Devos' "Here" follows the lives of a Romanian construction worker and a Belgian-Chinese academic who studies moss. Their lives, which have almost no reason to intersect, inevitably do in the most unusual of places. The quiet film is beautifully photographed and captures a sense of connection where "nothing much and everything happens—or could," according to the Times.

24 / 25
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#2. Inside the Yellow Cocoon Shell

- Director: Thien An Pham
- Metascore: 94
- IMDb user rating: 6.7
- Run time: 2 hours 59 minutes

Straddling the line between surrealism and realism, "Inside the Yellow Cocoon Shell" centers on a young Vietnamese man navigating the unexpected loss of a family member and grappling with larger questions of faith, god, and the afterlife. The movie won director Thien An Pham the Camera d'Or, the award given to the best debut feature, at the 2023 Cannes Film Festival. Outlets like IndieWire have gushed over the project's unique cinematic style (there are long, uninterrupted shots that run for up to 20 minutes at a time), which has earned praise from critics internationally.

25 / 25
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#1. Do Not Expect Too Much From the End of the World

- Director: Radu Jude
- Metascore: 95
- IMDb user rating: 7.4
- Run time: 2 hours 43 minutes

In this black comedy, a production assistant is tasked with shooting a workplace safety video, only to find their plans upended when an interviewee makes a surprising statement. Completely unique in its form (it's a mix of new footage; edited excerpts of another 1981 film, "Angela merge mai departe"; and the main character's TikTok videos), Variety called the movie a "dizzying, dazzling feat of social critique, an all-fronts-at-once attack on the zeitgeist, and a mischievous, often hilarious work of art about the artifice of work."

Data reporting by Luke Hicks and Rob Powell. Story editing by Carren Jao and Jaimie Etkin. Copy editing by Tim Bruns. Photo selection by Michael Flocker.

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